图说│全方位展现作为画家的关紫兰，“纯全与美妙—关紫兰艺术文献展”在沪展出

图说




2023年适值关紫兰诞辰120周年，为纪念她的艺术成就

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 <p>2023年适值关紫兰诞辰120周年，为纪念她的艺术成就和对中国美术事业做出的贡献，朱屺瞻艺术馆于11月3日—12月15日举办“纯全与美妙—关紫兰艺术文献展”。</p>
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 <p>本次特展是关紫兰继1930年个人展览，跨越近百年后，在国内首次以研究和展览的方式，对关紫兰进行梳理与呈现的较为全面的个人艺术文献展。</p>
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 <p>展览试图重启人们对这位中国第一代油画艺术家的认知，重估其艺术的价值，及其于当下的意义。</p>
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 <p>展览依据现代策展理念，将关紫兰的珍贵绘画原作、罕见的文献史料与稀缺的照片影像，以及围绕在关紫兰周围的艺术师友们的画作和资料等相关研究，以综合视觉的方式进行整体呈现，并历史性地汇聚与重现。</p>
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 <p>关紫兰（1903-1985），出生于上海，祖籍广东南海。她是中国第一代油画艺术家，中国近现代美术重要的实践者和传播者，亦是民国时期首屈一指的女性画家。</p>
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 <p>关紫兰早年就读于上海神州女子学校，1927年毕业于中华艺术大学西洋画科，同年留学东京文化学院，作为中国较早留学海外的西洋画家，关紫兰的绘画以色彩大胆表现为主，是中国较早接受后印象派影响的艺术家，也是中国早期具有较为纯正野兽派绘画面貌的标志性画家之一。</p>
 <p>关紫兰用其西画学习的背景，加入自身对中国写意绘画的理解，形成融汇中西的绘画风格，为油画民族化开启了别具一格的个人面貌，在中国油画现代化的历史进程中起到了重要的传承和发展作用。</p>
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   关紫兰《蓝色背景的男孩》，布面油画，57.7×50.8cm,1930，宝龙美术馆藏，图片由宝龙美术馆提供
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   关紫兰《花样年华》，布面油画，60×50cm，1941，泰康保险集团藏，图片由泰康保险集团提供
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 <p>展览以艺术风格学、文献学和视觉文化的研究方法，置于20世纪中国近现代美术史语境之中，深入以“关紫兰”为核心的个案研究，同时以关紫兰及其友人的作品、历史文献、照片、实物等资料，构建起整个展览的书写。</p>
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 <p>此外，展览还以近现代上海的视觉文化为角度，回望关紫兰的肖像照片和大众传媒之间的关系，展现其摩登、富于现代审美认知的新女性形象，以期呈现一位更加丰富立体的关紫兰，在不同历史时期下的作品形象和个人形象，还原关紫兰在近现代美术研究中的重要意义。</p>
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 <p>本次展览将特别呈现三个单元：第一单元“正面”：从表现、新写实到现实主义，第二单元“侧面”：师友交往及艺术诸活动，第三单元“背面”：时代图像下的摩登与闺秀，对关紫兰不同面向予以重新研究和梳理，以此形成关紫兰的艺术谱系。</p>
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   中川纪元《关紫兰女士像》，布面油画，60.5×50.5cm，1930，辰野美术馆（日本）藏，图片由辰野美术馆（日本）提供
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   王开照相馆《关紫兰肖像》，布面油画，银盐纸基，19×13.5cm，1930，广东美术馆藏，图片由广东美术馆提供
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  摄影：周俊超<br>
   编辑：王柏玲<br>
   责任编辑：王蔚<br>
   部分资料来源：“文化虹口”公众号
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图说│全方位展现作为画家的关紫兰，“纯全与美妙—关紫兰艺术文献展”在沪展出

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